GRAMMY Award-nominated multiplatinum Lukas Graham will embark on a 2019 U.S. tour, in support of the forthcoming album, 3 (The Purple Album). Hailing from Christiania, an autonomous, artistic community in the center of Copenhagen, Lukas Graham developed his natural talent for honest and gritty songwriting and quickly captivated the European

Down and Outlaws are Peter Danzig, Kyle Luck, Chris Danzig, Jon Carr. In the year following Down and Outlaws’ debut album release, the San Francisco quartet has played San Francisco’s famed Outside Lands festival, shared bills with the likes of Meatbodies, Dead Meadow and members of Pavement, and honed their live shows

There is no shortage of drag queens in NYC. You can’t throw a rock without hitting some twink in a dress who thinks he’s got what it takes to shantay down the runway just because he’s seen every season of Ru Paul’s Drag Race while practicing YouTube makeup tutorials. There’s a difference,

Guest Post by Peter Wong Love independent film but too broke to head out to Park City for either Sundance or Slamdance?  Such local film-lovers are in luck, as the 21st San Francisco Independent Film Festival (aka IndieFest) returns to the Roxie and Victoria Theatres to bring both fun and

No one can deny that LGBTQ individuals have had a tough go of things under the current presidential administration. With the Supreme Court voting to allow a ban on transgender soldiers who have served their country bravely, the situation appears grim for those in the LGBTQ community and their allies.

Those colored candy Sweethearts with little sayings on them will be harder to come by this year. Their manufacturer Necco declared bankruptcy in May of last year, leaving the future of the iconic tiny candy hearts in limbo. Though competitor the Spangler Candy Company swooped in and bought up the

Welcome to Bay Of The Living Dead, a regular column about the horror genre. For nearly twenty years beginning in 1957, England’s Hammer Films was the go-to studio for old fashioned Gothic horror. The company’s reign of terror began with The Curse Of Frankenstein (1957), a full color, blood and thunder re-imagining of

After checking out UNTITLED (at Pier 35) and FOG Design+Art (at Fort Mason), and seeing a lot of great artwork, I think that UNTITLED was the stronger art fair of the two.  Although FOG benefits SFMOMA and tends to get more hype leading up to it, the overall selections at UNTITLED were edgier