Lydia Sviatoslavsky

Uber Founder’s Latest Sinister Business Venture Lands in Oakland & SF
You may be familiar with Uber founder Travis Kalanick. In 2017, Kalanick was forced to resign as CEO after complaints of Uber’s toxic workplace culture surfaced, including claims of sexual harassment and discrimination. Nevertheless, this tick has found a new host. Kalanick has since launched another highly exploitative and secretive

Last Gasp’s Ron Turner Publishes “Mind Candy for the Masses”
Last Gasp has been bending minds since 1970, and is known to be one of the world’s oldest and largest publishers of underground books and comics. The publisher’s motto is “Mind Candy for the Masses,” so consider it your counterculture dealer. Last Gasp is saluted for its ‘lowbrow’ comics and

SF Chinatown Showgirl Cynthia ‘Empress’ Yee Is A Living Legend
“I think people come to Chinatown because they expect a Disneyland atmosphere,” Cynthia Yee says. “When they see it’s just a neighborhood, a community with restaurants and daily life, they wonder.” Yee is a tour guide with the award-winning Chinatown Magic Tours, but she was once herself at the center of

5 SF-Based Coffee Shops that Edge Out the Corporate Competition
Working from home may be a luxury, but perhaps the luxury ends there. Perhaps “home” is little more than a sunlight-starved hovel, crawling with roommates and other forms of vermin. Perhaps you, like me, are in need of some alternatives. You might consider The Coffee Shop. San Francisco is littered

San Francisco’s Underground Bookstores: Et Al. Books
For those who are artists, collectors, or generally curious people, Et al. Books houses a compelling collection. Et al.’s Mission location is both art gallery and bookstore, an industrial backdrop to the rich assortment of vintage titles, new fiction, and rare art books. Et al.’s second location is an elusive

SOUND REMAINS: The Audiovisual Thrill You’ve Been Looking For
SOUND REMAINS organizer David Easlick seeded intrigue while discussing Thursday’s event, one in an ongoing series that combines both sonic and visual elements. Easlick aims to create a “saturated, interactive environment” that pushes boundaries among artists and attendees. “For me, the only way an event is interesting is if there