Welcome to Bay of the Living Dead, a twice a month column about the horror genre, past, present and future. This column returns after a one month hiatus. It’s been a difficult month, what with Donald Trump’s unexpected and terrifying victory. I needed a little break. But I’m glad to be

Welcome to Bay of the Living Dead, a twice a month column about the horror genre. Sometimes I shake my head in wonder over the fact that the same company which offers the virulently right wing (and dishonest) Fox New Channel also offers the Fox Network, home to edgy shows like The

For thirty years, Superfest: The International Disability Film Festival has given the disabled a much needed and well deserved voice. Though the disabled are the country’s largest minority group, encompassing people from all racial, ethnic, economic and LGBT backgrounds, people with disabilities are all but invisible in popular culture and in

Welcome to Bay of the Living Dead, a twice a month column about the horror genre, past, present and future. Halloween is the Holiest of Days for horror buffs, and foggy San Francisco abounds with a variety of fun events by which to celebrate the occasion. Shocktoberfest, Russell Blackwood’s gloriously campy, and gory,

Welcome to Bay of the Living Dead, a twice a month column about the horror genre, past, present and future. Apologies, ladies and gents. This column is still a wee bit off schedule. I’m still playing catch-up after having been quite ill early this month. But by next month, you should start

Welcome to Bay of the Living Dead, a twice a month column about the horror genre, past, present and future. This edition of Bay of the Living Dead is a little late–I’ve been recuperating from the flu. Thanks to a visit to Dr. Frankenstein, I am healed! Moving forward you can look for this

Stanley Kubrick: The Exhibition, currently on display at Contemporary Jewish Museum through Oct 30th, underscores the late filmmaker’s brilliance. As you peruse this comprehensive tribute to the legendary auteur’s life and career, you might find yourself drawn into a small, self-contained room. Inside, scenes from the director’s groundbreaking and still

Welcome to Bay of the Living Dead, a twice-a-month column about horror movies and TV, past, present and future. Scream Factory, Shout Factory’s wonderfully sublime horror label, brings four fondly remembered B chillers from the early 1970s to Blu-Ray. Murders in the Rue Morgue (1971) and The Dunwich Horror (1970), both from the drive-in mavens